This encouraged the Ramsays (as they were known) to experiment with Do Gaz Zameen Ke Neeche (1971), based on a story narrated by Fatehchand's daughter Asha to her father. The film didn't work, but it was noticed that the “monster” sequence was popular with the audience. In a scene in Ek Nanhi Munni Ladki Thi, Prithviraj Kapoor wears a devil's mask to carry out a robbery and terrifies Mumtaz. All of these films flopped, and the Ramsays were reeling under huge debts when inspiration struck. A long hiatus followed, but the lure of the movies was great, and Fatehchand later produced the films Rustam Sohrab (1963) and Ek Nanhi Munni Ladki Thi (1970). It was a dismal flop, despite featuring a rendition of Sarfaroshi ki tamanna in Mohammad Rafi's voice. For reasons that are not clearly understood, but perhaps lured by the lottery-like wealth which the film industry blandished, Fatehchand joined a group of other Sindhi refugee businessmen to produce the film Shaheed-e-Azam Bhagat Singh (1954). Then as now, Mumbai was the center of showbiz in India. The shop did reasonably well, but the family was large, and money was not abundant. They were resettled in Mumbai, and Fatehchand, along with his elder sons, set up a tiny electronics shop in Lamington Road, thanks to a dealership agreement with the same manufacturer of radio sets and other electronic goods who had been their principal in Karachi. Ramsay) came with his extended family, including his wife, seven sons and two daughters, to India. In 1947, the Partition of India happened, and they were forced to flee their native land, which had been their motherland since time immemorial, for fear of being killed by the Muslims. They belong to a trading caste, and in the early decades of the 20th century, the Ramsinghani family used to run electronics shops (mainly radio sets) in Karachi and Lahore. It could've dived in deeper.The actual surname of the Ramsay family is Ramsinghani, and they are a Hindu family hailing from Sindh province in present-day Pakistan. However, its angst could have hit a much harder punch - for when blood sours, it explodes.īut Brothers, despite mouthing, 'Har sport mein thora drama toh hota hai', only skims that dramatic surface. Following brothers-mothers movies like Deewar, Brothers revisits Bollywood's 'Ma' obsession, offering action, adrenalin and abs too. The script builds a powerful contrast between a bleak first half and a lively second.
BROTHERS HINDI MOVIE 2015 CAST PLUS
On the plus side, Brothers adapts Hollywood hit Warrior with a Bollywood beat. In a brittle little role, Shefali conveys trembling, conflicted emotions while Ashutosh Rana as a cheeky manager and Kiran Kumar, as a martial arts promoter covered in mystery and cigar smoke, pad this drama well. As David's wife Jenny, Jacqueline's pretty but inconsistent, resembling the script which mentions David and Jenny have three jobs each, but shows us one out of six. In contrast, Jackie Shroff's Gary melodramatically blusters around, first soaked in boozy arrogance, then weeping wretchedness, but neither grips. The lack of fire in Siddharth's Monty just doesn't build up a sense of furious clash - instead, it makes the brothers' face-off curiously flat. Siddharth Malhotra remains an enigma wrapped in a mystery, with few dialogues and limited expressions. With greying hair and soft, sad eyes, Akshay carries Brothers on his shoulders, meriting applause for a vulnerable, memorable performance. Sans his trademark twinkle, Akshay is grimly severe here, using tense muscles and intense silences rather than Gabbar Is Back-style bombast. Who wins this battle over body, soul - and memories?īrothers features Akshay Kumar in one of his best roles. The brothers bitterly split - only to face each other in a prize-fight years later. David becomes Monty's protective big brother - but relationships shatter when Gary's drinking causes a tragic accident. After turmoil, Maria accepts him into their home. Monty's mother passing on, the boy has nowhere to go.